The talented musician, one half of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.
Alongside vocalist Marc Almond, the team scored a global success with their version of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a seminal work of synth-pop.
He subsequently founded the pioneering techno group The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.
Ball died calmly in his sleep at his home in London on October 22, just weeks after playing a headline show with Soft Cell at the Rewind Festival in the Thames-side town.
During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of health issues.
"I ended up damage myself significantly," he stated in 2023. "I fractured lower vertebrae in my back and fractured about multiple ribs and broke my wrist."
After contracting a lung infection and developing blood poisoning, he was put in an medically-induced sleep and stayed in hospital for half a year.
However, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, called Danceteria, which is scheduled for release in the coming year.
"He was concentrated and very pleased with the new album that we literally completed only a short time ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and felt that it was a masterpiece."
Almond described his bandmate as "a wonderfully brilliant creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.
"Many thanks Dave for being an immense part of my life and for the music you gave me. I couldn't be where I am without you."
His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".
"Being in a duo with someone is different from joining a group, the bond is very tight," he continued.
"That was the case with us. We went through so many remarkable, incredible, life-affirming moments as a team. Many thanks, Dave."
Brought into the world into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.
He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to David, alongside his younger sister Susan, who was similarly welcomed.
He met Almond at Leeds Polytechnic in the late 70s, where they were both studying fine arts. Fuelled by a shared love of Northern Soul, they established Soft Cell the very year, and quickly recorded an extended play.
The pair were an unusual pairing: Ball was the reserved technician, hunched over his synthesizer, while Almond was a flamboyant showman, all glitter and makeup; but they attained a rare musical alchemy.
Ball had developed a fascination with electronic instruments after viewing Kraftwerk perform on BBC science show a popular series, and started to marry moody electronic sounds to the soaring melodies Almond was writing.
Their signature song became the United Kingdom's second most popular song of 1981, shifting 21 million units globally. Alongside hits by Gary Numan, Human League and electronic acts, it helped paved the path for the electronic music style of the 1980s.
The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.
They followed the record up with the stand-alone single, Torch, which peaked at number two in the following year.
Success had its upsides. "I loved being able to afford my first home, having money and exploring, which makes me sound like a Miss World," Ball not long ago shared with a publication.
But it also presented problems. "Newfound wealth allowed we could afford newfound drugs to alleviate the boredom" of press appearances and TV performances, Ball explained.
"I realize that's a cliché, but it's a cliché for a good reason, because it works for so many bands."
During the hedonistic lifestyle, the pair were also drifting apart, but they managed to create a follow-up memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.
They released another album, 1984's This Last Night In Sodom, before ending the band to focus on other projects.
Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a long-lasting collaboration.
Soft Cell came back together in 2001, producing the Top 40 album Cruelty Without Beauty.
After a further hiatus, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, that year.
However, they remained active, creating their latest project, Happiness Not Included, during the 2020 restrictions.
Ball lately described the band's upcoming release as a tribute to the NYC nightlife they visited while making their initial records.
He noted that his time in hospital had shaped the group's music.
"I had unusual memories when I was coming and going of hospital because I was on morphine," he told a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the experiences me and Marc got up to in the 1980s."
The final mixes were completed only days before Ball passed away. It is due for release in the spring of 2026.
Lena is een creatieve strateeg met een passie voor merkbouw en storytelling, gespecialiseerd in digitale transformatie.